On March 19, 1961, in
his apostolic epistle, Le Voci, naming St. Joseph
patron of the second
Vatican Council, Pope John XXIII also called for the St. Joseph altar in
St.
Peter’s Basilica in Rome to “take on a new and fuller and more solemn
splendor….” On March 19, 1963, the Holy Father blessed the new mosaic.
Following the blessing, he commented: “Upon entering the basilica today
We dedicated the new image of St. Joseph over the Saint’s altar. We were
urged
to perform this ceremony Ourself as an act of piety towards the most
chaste
Spouse of Mary and the Guardian of Jesus, in order to fulfill Our most
earnest
wish to promote within this great temple of Christendom devotion to St.
Joseph,
protector of the Holy Church and patron of the Second Vatican Council. ”
The mosaic, over nine feet high and made of individual tiles
all less then half an inch square, reproduces a painting of the Milanese
artist, Achille Funi (born c. 1892). St. Joseph stands on a classical marble
pedestal, with Jesus in arm and flowering staff in his left hand. The Child
affectionately holds and looks toward his earthly father. At St. Joseph’s feet
an angel kneels offering him St. Peter’s boat with supplicant expression. A
human person also kneels offering him an olive branch with a plea for true
peace. Another angel flies down from heaven with a banner that reads Tu eris
super domum meam, “You shall be over my house.” In a word, St. Joseph’s image
in the mother church of all Christendom recalls his role as protector of the
entire Church. St. Joseph hears the prayers of all who invoke him, whether in
the humblest little chapel or the world’s greatest basilica.
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